MUSICOLOGIST SPEAKS

Mirjana Veselinović-Hofman
PRIMA LA MUSICA AS MUSICOLOGICAL CREDO
CONVERSATION WITH DAVID FALLOWS

COMPOSER SPEAKS

Ana Kotevska
ISIDORA ŽEBELJAN: THE TRANSCENDENTAL VOYAGE TOWARDS
AND FROM BELGRADE FANTASIA

STUDIES

Sonja Cvetković
COMPOSER, JOURNALIST AND PEDAGOGUE DRAGUTIN ČOLIĆ (1907-1987)
ON THE OCCASION OF THE CENTENARY OF HIS BIRTH

NEW WORKS

Vesna Mikić
ROMAR/BOG GRADA, OR A HEALING POWER OF MUSIC?
NEW PIECES BY BOŽIDAR OBRADINOVIĆ AND ANJA ĐORĐEVIĆ

Katarina Tomašević
THE 2005 “STEVAN MOKRANJAC” AWARD
DEJAN DESPIĆ: DIPTIH FOR ENGLISH HORN AND STRINGS

ANALYSES

Laura Manolache
A STYLISTIC OVERVIEW OF THE MUSIC BY TIBERIU OLAH
WITH REFERENCE TO SYMPHONY NO. 2

Marija Masnikosa
DUAL BY VLADIMIR TOŠIĆ

Jelena Novak
A QUEER PROTOCOL OF HOMAGE
CHAMBRES DE TÉNÈBRES/TOMBEAU DE CLAUDE VIVIER
BY MARKO NIKODIJEVIĆ

RESEARCH AND TRADITION

Igor Zirojević
THE PRINCIPLES AND PROBLEMATICS OF TRANSCRIBING NEUMATIC TEXTS
OF MIDDLE BYZANTINE AND NEW BYZANTINE NOTATIONS
INTO STAFF NOTATION

Julijana Žabeva
PRESENTATION OF SERBIAN MUSICIANS AT THE OHRID SUMMER FESTIVAL 1961-1991

STUDENT’S PAPERS

Biljana Srećković
RADIO BELGRADE IN THE CONTEXT OF THE MODERNIZATION OF
SERBIAN SOCIETY IN THE INTERWAR PERIOD

FESTIVALS AND SYMPOSIA

Tatjana Marković
IMS, IAML, IAMIC 2006: Gothenburg, Sweden

Selena Rakočević
THE INTERNATIONAL SYMPOSIUM “URBAN MUSIC OF THE BALKANS“

Donata Premeru
COMPOSERS IN THE FIRST PERSON
THE SECOND CHINCH FESTIVAL IN BELGRADE

Ivana Stamatović
THE 15^th INTERNATIONAL REVIEW OF COMPOSERS

REVIEWS

Chris Walton
WINFRIED LÜDEMANN: HUGO DISTLER - EINE MUSIKALISCHE BIOGRAPHIE

Maja Smiljanić-Radić
DJERDJ MANDIĆ (MANDITY GYORGY) THE VOJVODINA ORGANS

Leon Štefanija
OTTO E. LASKE. MUSIKALISCHE GRAMMATIK UND
MUSIKALISCHES PROBLEMLÖSEN.
UTRECHTER SCHRIFTEN (1970-1974)

Ivana Perković Radak
ANDRIJA JAKOVLJEVIĆ: AN ANTHOLOGY WITH NEUME NOTATIONS
FROM THE TIME OF DUKE AND DESPOT STEFAN LAZAREVIĆ

Tijana Popović Mlađenović
MUSICOLOGICAL AND ETHNOMUSICOLOGICAL REFLECTIONS

Katarina Tomašević
JOSIP SLAVENSKI AND HIS TIME

DEFENDED THESES

Ira Prodanov
RELIGIOUS INSPIRATION IN SERBIAN MUSIC AFTER 1945

Danijela Kulezić-Vilson
COMPOSING ON SCREEN: THE MUSICALITY OF FILM

Valentina Radoman
THE ELEMENTS OF THE IMPRESSIONISTIC STYLE IN SERBIAN MUSIC
IN THE FIRST HALF OF THE 20^th CENTURY

Sonja Cvetković
THE EUROPEAN TRADITION IN THE CHAMBER WORKS
OF PETAR STOJANOVIĆ

Jelena Janković
THE PLACE OF CLASSICAL MUSIC FESTIVALS IN A TRANSITIONAL SOCIETY